She is charming and sincere and you truly feel for her character of a woman who stands by her husband like a rock.
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Amruta Subhash also delivers an earnest performance as his wife. With crackling, insightful dialogue and a screenplay that makes the film a true journey for the characters as well as the audience, Girish Kulkarni once again proves the old adage - content is ultimately king. While Girish Kulkarni’s performance undoubtedly needs to be lauded, it is his writing that is the real star of Masala. While every character in Masala makes you smile, a closer inspection will reveal that they stand for so much more than what they appear to be on the surface – Dilip Prabhavalkar’s mad scientist for example – an analogy can be drawn between his life and the life of our protagonist couple. Along the way, they face situations and meet characters that are like milestones in their quest for a state of equilibrium. Their life is just a cycle wherein they go to a new place, set up shop, end up owing money to people because they themselves are owed money and ultimately end up sneaking away to a new place in the midst of the night. Girish Kulkarni and Amruta Subhash play a young married couple who are constantly on the run from creditors. If Deool was though-provoking in an obvious manner, Masala takes a slightly different route to make you think – it makes you smile.
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Directed by debutante Sandesh Kulkarni, Masala is another feather in the cap of National Award winner Girish Kulkarni, one of the finds of Indian cinema in recent times.